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Liesbeth Rahder is itself to the word: "Although it is almost impossible, I try blank, without past or future, to start. My way of working has many similarities with a call. Within minutes there will be a communication with the cloth. I review and get reply again. Sometimes this fluid and intensive, than the painting progresses quickly. But often it is also harsh, the feeling is not good and then it continues a long search and improve, whereby there history in the substrata. The big difference with a conversation is the fact that the painting always patiently listening to me and gives me all the time that I need, which in turn also can be inconvenient. It is a mirror that caressing, critical or offensive. The painting is ready, when I am satisfied about what happened at that time. This satisfaction never lasts long, hence the following cloth. Getting better and further; think I'm closer to my ideal picture Bowl. About her method she says "when I paint I collect first clutter and attributes on the canvas. The start is a collection, and bring out a search of images and colors, which leads to a chaotic image. Actually begins before painting, pull out, the choice (...) ". Inspiration for her work takes Liesbeth in himself, all painting.
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